The Event of Encounter in Art and Philosophy — Continental Perspectives
Korhonen, Kuisma; Räsänen, PajariTuotetiedot
Nimeke: | The Event of Encounter in Art and Philosophy — Continental Perspectives | ||
Tekijät: | Korhonen, Kuisma (Toimittaja) Räsänen, Pajari (Toimittaja) |
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Tuotetunnus: | 9789524951388 | ||
Tuotemuoto: | Pehmeäkantinen kirja | ||
Saatavuus: | Toimitusaika 1-3 arkipäivää | ||
Hinta: | 36,00 € (32,73 € alv 0 %) | ||
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Lisätiedot
Kustantaja: | Gaudeamus |
Painos: | 1. painos, 2010 |
Kieli: | englanti |
Sivumäärä: | 293 |
Tuoteryhmät: | Filosofia ja uskonto Kielet ja kirjallisuus Kulttuuri ja taide |
Kirjastoluokka: | K11.5 Nykyajan filosofia |
YSO - Yleinen suomalainen asiasanasto: | kohtaaminen, filosofia, taidefilosofia, taide, kirjallisuus, teatteritaide, esittävät taiteet |
Esittelyteksti
The event of an encounter is singular, unrepeatable and unpredictable. It marks not only a unique moment of temporary contact, but also the past and the future, makes them meaningful, defines them anew. Such an event is a moment of liberty, a feast, a revolution or a catastrophe - we should find again in order to become responsible for and to it.
This volume in itself consists of a network of encounters. The multiplicity of viewpoints, styles and modes of argumentation displays the ultimate aim of to form a discursive space where the notion of encounter is not only a theme among others but also a way of thinking.
"If art is the domain of the excessive - sensations and affects - it is by definition oriented towards its own supersaturated condition, the virtual. Art takes place as the site that thematizes itself as a site, a domain or a stage, but simultaneously collapses its unity by expressing qualities that migrate from other milieus. Art as derangement: actualized Nature opening up to the virtual forces of the Cosmos."
This volume in itself consists of a network of encounters. The multiplicity of viewpoints, styles and modes of argumentation displays the ultimate aim of to form a discursive space where the notion of encounter is not only a theme among others but also a way of thinking.
"If art is the domain of the excessive - sensations and affects - it is by definition oriented towards its own supersaturated condition, the virtual. Art takes place as the site that thematizes itself as a site, a domain or a stage, but simultaneously collapses its unity by expressing qualities that migrate from other milieus. Art as derangement: actualized Nature opening up to the virtual forces of the Cosmos."